Foyle's War

Foyle's War

Foyle's War is a British detective drama television series set during (and shortly after) the Second World War, created by Midsomer Murders screenwriter and author Anthony Horowitz and commissioned by ITV after the long-running series Inspector Morse ended in 2000. It began broadcasting on ITV in October 2002. ITV director of programmes Simon Shaps cancelled Foyle's War in 2007, but complaints and public demand prompted Peter Fincham (Shaps' replacement) to revive the programme after good ratings for 2008's fifth series. The final episode was broadcast on 18 January 2015, after eight series.

Year:
2002
3,166 Views

AC Henry Parkins:
Morning, I've finished my investigation of the south coast and have to get back to London.

Christopher Foyle:
Well, absolutely no intention of keeping you. Well, I'm primarily here to find out about the De Perez situation.

AC Henry Parkins:
I'm afraid I can't help you. He's attached to the embassy, as he told you and as such he is beyond our reach. Spain declared their neutrality back in september '39... However, many of their diplomats, the consular service, the police and the coast guard work for the germans. I got this from a friend in whitehall. He suggested we pass on what we know about De Perez, to the security services

Christopher Foyle:
And what will they do?

AC Henry Parkins:
I doubt they will do anything. They know who he is, and what he is. Doubtless they have their own reasons for keeping him at large.

Christopher Foyle:
And so he is free... Well, that's marvellous, they all go free.

AC Henry Parkins:
What do you mean?

Christopher Foyle:
Well, him, Evelyn Richards, Lindemann...

AC Henry Parkins:
Lindemann?

Christopher Foyle:
Lindemann.

AC Henry Parkins:
You're not saying he's involved, are you?

Christopher Foyle:
I am.

AC Henry Parkins:
What on earth are you suggesting?

Christopher Foyle:
On the day he dies, how does Michael Richards, er, in such an extremely good mood, as a result of taking a phonecall, come to be so very angry and violent so very shortly afterwards. If he goes to the research center with the intention of doing as much damage as possible, why does he need his best suit and a bunch of flowers to do it? How does a woman with no experience of firearms manage to shoot her drunk, violent husband so very presicely in between the eyes and such premeditated fashion. I'm suggesting, that she made the call to her husband inviting him to the center, with the prospect of an improvement in their relationship, where he was shot, by Lindemann.

AC Henry Parkins:
And why would they do this?

Christopher Foyle:
Because they are having an affair - for which we do have proof.

AC Henry Parkins:
It's not enough.

Christopher Foyle:
Right... Well it certainly is for me.

AC Henry Parkins:
Foyle -...

Christopher Foyle:
No, with this sort of thing. um, virtually condoned for the sake of the war effort - A man guilty of coercion and sabotage can't be touched, while two boys guilty of nothing more than slipping of the rails because of lack of parental conltrol, will get several years of hard labour, assistant commissioners doing their very best to undermine me in front of my staff - yeah, I'd say I've had enough.

AC Henry Parkins:
Look, I... I know, you and I got off to a bad start, Foyle. It was my fault and I apologize for it. But it's not too late, we can have an other look at mrs. Richards. And I'l tell you what. You know a young woman, Lydia Nicholson? I have here a report concerning an attempted suicide, a recommendation to prosecute. [Parkins tears the report in half] You see, justice can sometimes be manipulated to help the individual.

Christopher Foyle:
Your justice perhaps, not mine. [Leaving a letter on the table]

AC Henry Parkins:
Look, You can't do this! [Foyle leaves without saying another word] Damn it!

Christopher Foyle:
[voice-over as AC Parkins reads the letter] Assistant Commissioner Parkins: I have suggested to you that maintaining the law in time of war is all but impossible. I have now reached the conclusion that I am no longer up to the task, and it would seem therefore that there can be no useful purpose in me remaining in my position. I'm therefore offering you my resignation effective as of now. I remain, sir, your obedient servant, Christopher Foyle.

John Bishop:
I'm very sorry I can't let you you arrest him.

DCS Christopher Foyle:
Why?

John Bishop:
Because of fifty ships, Mr. Foyle, out-of-date rusting ships with appalling armament and accommodation. Ships we may never actually use.

DCS Christopher Foyle:
American ships?

John Bishop:
Yes. We need the Americans, Mr. Foyle. They're the best friends we have. If we can't persuade them to provide us with arms, food, ammunition and all the rest of it, we will not survive.

DCS Christopher Foyle:
Why do we need Howard Paige?

John Bishop:
Whatever else he may be, Paige has been a great supporter of this country. The American Allies of England have made a huge difference. They've managed to broker a deal, that will almost certainly be the start of many more, they've created a lifeline that could last the entire war.

DCS Christopher Foyle:
Starting with fifty ships?

John Bishop:
Well, the ships are largely symbolic. You have to be American to understand their real significance. They get very emotional about it, giving away a piece of their navy to a foreign country. They even had to change their own laws to make it possible. But the point is, it opens the floodgates. By this one commitment, they will show the world whose side they're really on. America will become the arsenal of democracy, Mr. Foyle, nothing less.

DCS Christopher Foyle:
And arresting him is going to compromise all this?

John Bishop:
It would destroy it. The American Allies of England would lose all credibility at a stroke. The scandal would have repercussions you can't even begin to imagine. The ships might not even sail. Mr. Foyle, this isn't the first time you have crossed powers with military intelligence and I very much hope you will understand that the actions I've taken have been forced on me and not taken lightly.

DCS Christopher Foyle:
What do you mean? Protecting him, lying on his behalf, searching my office, arresting Colin Morton because he happened to be in the wrong place at the wrong time...?

John Bishop:
Mr. Morton is in Whitehall. He is being interviewed...

DCS Christopher Foyle:
And you will go on interviewing him, presumably until Paige is safely out of the country.

John Bishop:
I don't like this any more than you do, Mr. Foyle. The man is a killer and should be hanged. But right now you can draw a direct line between Howard Paige and the outcome of this war.

DCS Christopher Foyle:
[about his German] And it's only what I managed to pick up in Germany during the last war. It's not that good. [indicates Weiser] Well, it's as good as his English.

Major Cornwall:
No, he doesn't speak English at all.

DCS Christopher Foyle:
[to Weiser] You're fairly fluent, aren't you? You understood one of my questions without it being translated when I came over here last time. And you understood every word we said when we first picked you up. You heard us talking about the woman who was with us that day being a possible murder suspect, and you described her later as the person you claimed took your gun when you were hanging from the tree.

Major Cornwall:
What information did Sabartovski have that was so important?

DCS Christopher Foyle:
[to Weiser] Do you want to answer that question?

[silence]

DCS Christopher Foyle:
No? It seems from what he said to Schimmel that he was an expert in RDF, what you know as "Funk-mess", or radar, and it looked like there'd been perhaps a new system on board, which is why they made the effort to get back to it to make sure it was destroyed, or to get rid of it if it wasn't. How am I doing?

[silence]

DCS Christopher Foyle:
He was sent for the same reason, to make sure the equipment was destroyed, and Sabartovski as well. And he came prepared to fake a situation in which he'd be caught and most likely taken to the same holding camp as Sabartovski and get rid of him here.

Raimund Weiser:
If I faked the parachute drop, how did I get here?

[Cornwall looks at him sharply]

DCS Christopher Foyle:
Through perfect English.

[Weiser smirks]

DCS Christopher Foyle:
Boat? There were saltwater stains on your trousers, and no marks at all from a parachute and a harness that had never been used before.

Raimund Weiser:
Good! Beach landing from a U-Boat.

DCS Christopher Foyle:
Where's your wife?

Sir Reginald Walker:
She's left me.

DCS Christopher Foyle:
Not much of a day for you, is it? Your wife, your son... your business.

Sir Reginald Walker:
My business?

DCS Christopher Foyle:
[pointing at the golden box] Do you know what this is?

Sir Reginald Walker:
It's a gift.

DCS Christopher Foyle:
But you know what it is?

Sir Reginald Walker:
It's solid gold and it's a gift given to my company in recognition of succesful trade relations.

DCS Christopher Foyle:
A gift from whom?

Sir Reginald Walker:
The office for trade.

DCS Christopher Foyle:
The German office for trade?

Sir Reginald Walker:
Yes.

DCS Christopher Foyle:
And you didn't disclose the theft of it because...?

Sir Reginald Walker:
Because my son did not declare it, he smuggled it into this country from Switzerland, a few weeks ago.

DCS Christopher Foyle:
Well, you're right. It is solid gold, hasn't been declared, certainly came to the country recently and might well have come from the office for trade, Sir Reginald. But it first of all came through a Department of the Third Reich known as the Verm?gensverkehrsstelle, the Property Transfer Office, which deals with property acquired by the Nazis. This is a Jewish artifact, made in Frankfurt in the 18th century by Jeremiah Sobel, and until six weeks ago, it belonged to a family called the Rothenbergs, who used it as a prayer book holder. The family, all four of them, were shot and their home looted by the Nazis. And once it's generally known that you're a beneficiary of this Nazi "reallocation" of property, how long do you think you and your company have got?

[he picks up his hat and turns to leave]

DCS Christopher Foyle:
One or two things bigger than business, wouldn't you say?

Sir Reginald Walker:
...Aren't you going to arrest me?

DCS Christopher Foyle:
Well, on behalf of a very dear friend of mine, I'd say it's no longer necessary.


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