My Darling Clementine

My Darling Clementine

The most famous and sublime treatment of the gunfight at the O.K. Corral, John Ford's My Darling Clementine is by any measure one of the most classically perfect Westerns ever made. Henry Fonda plays a hard, serious Wyatt Earp leading a cattle drive west with his brothers when a stopover in the wild town of Tombstone ends in the murder of his youngest brother. Wyatt takes up the badge he had turned down earlier and tames the wide-open town with his brothers (Ward Bond and Tim Holt), all the while waiting for the wild Clantons (led by Walter Brennan's ruthless Old Man Clanton) to make a mistake. Victor Mature delivers perhaps his finest performance as the tubercular gambler Doc Holliday, an alcoholic Eastern doctor escaping civilization in the Wild West. Ford takes great liberties with history, bending the story to fit his ideal of the West, a balance of social law and pioneer spirit. Though the film reaches its climax in the legendary gunfight between the Earps (with Doc Holliday) and the Clantons, the most powerful moment is the moving Sunday morning church social played out on the floor of the unfinished church. As Earp dances with Clementine (Cathy Downs)--Fonda's stiff, self-conscious movements showing a man unaccustomed to such social interaction--Ford's camera frames them against the open sky: the town and the wilderness merge into the new Eden of the West for a brief moment. --Sean Axmaker

Genre: Drama, Western
Production: 20th Century Fox Film Corporation
  3 wins.
 
IMDB:
7.8
Rotten Tomatoes:
100%
NOT RATED
Year:
1946
97
Website
2,136 Views

Clementine:
It is wonderful to see you again, John. You are pleased that I came...? [Pause] My coming has made you unhappy.

Holliday:
It was ill advised.

Clementine:
Was it ill advised the way you left Boston?

Holliday:
How'd you know I was here?

Clementine:
I didn't. Finding you hasn't been easy. Cow camp to cow camp, from one mining town to another. I should think that if nothing more, you'd be at least flattered to have a girl chase you?

Holliday:
Look Clem, you've got to get out of here...

Clementine:
But I'm not!

Holliday:
This is no place for your kind of person.

Clementine:
What kind of a person am I, John?

Holliday:
Please go back home Clem, back where you belong. Forget that you... [Holliday experiences a severe coughing fit]

Clementine:
You're ill, John. So that's the reason you left.

Holliday:
That has nothing to do with it.

Clementine:
Foolish, foolish John, as if that would have mattered.

Holliday:
I'll tell you, Clem, the condition of my health has nothing to do with it.

Clementine:
I don't believe you, John.

Holliday:
Then I'll give you the truth. The man you once knew is no more, there's not a vestige of him left. Nothing! Come, I'll take you back to the hotel.

Clementine:
Please, John. You can't send me away like this. You can't run away from me any more than you can run away from yourself. Now I know why you don't care whether you live or die, why you tried to get yourself killed. Well, I've heard all about you John and you're wrong, so wrong. You have no right to destroy yourself. You have a world of friends back home who love you John, and I love you.

Holliday:
There's a stage leaving in the morning for the East. Take it. If you don't, I'm moving on.

Clementine:
Very well, John, I'll go.


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