Queen Christina

Queen Christina

Arguably Greta Garbo's best MGM movie--depending how you feel about Camille and Ninotchka--this tale of the 17th-century Swedish monarch who preferred men's togs to gowns plays the most provocative games with the great star's ambisexual personality. At her request, Rouben Mamoulian directed (all three Garbo's-best-movie candidates were done by the best directors she worked with: Mamoulian, George Cukor, and Ernst Lubitsch). Two sequences are legendary: Christina memorizing the room at a snowbound inn where she has first experienced love; and the long, concluding closeup of a queen become ship's-figurehead--as blank as a tabula rasa, and filled with all the meaning and emotion seven decades of audiences have chosen to see there. Those scenes are anthology pieces, but unlike most Garbo pictures, the whole movie is intelligently scripted and sustained. With Lewis Stone, C. Aubrey Smith, and John Gilbert--Garbo's premier silent-era costar--making a tentative comeback as her love interest. --Richard T. Jameson

Director(s): Rouben Mamoulian
Production: WARNER BROTHERS PICTURES
  1 win & 1 nomination.
 
IMDB:
7.8
Rotten Tomatoes:
89%
NR (Not Rated)
Year:
1933
99
1,296 Views

Christina:
This eternal talk about Charles. I cannot tell you how it wears me. I do not see eye-to-eye with Charles about anything...There are varieties of heroes. He's a hero with fighting and fighting bores me. His only gift is with a sword.

Chancellor:
The sword has made Sweden great, your Majesty.

Christina:
Yes, do we not exalt that gift too much, Chancellor?

Chancellor:
Ah, you cannot remake the world, your Majesty.

Christina:
Why not? Look, Chancellor, the philosophers remake it, the artists remake it, the scientists remake it now, why not we, we the power. The people follow blindly the generals who lead them to destruction. Will they not follow us? We'll lead them beyond themselves where there's grace and beauty, gaiety and freedom.

Chancellor:
Europe is an armed camp, your Majesty, not utopia peopled with shepherds.

Christina:
But Chancellor... [She looks out the window] Snow again, eternal snow.

Chancellor:
Your Majesty, it is for Sweden. It is your duty.

Christina:
Why is it my duty? My days and nights are given up to the service of the state. I'm so cramped with duty that to be able to read a book, I have to rise in the middle of the night. I serve the people with all my thoughts, with all my energy, with all my dreams, waking and sleeping. I do not wish to marry and you cannot force me.

Chancellor:
You must give Sweden an heir.

Christina:
Not by Charles, Chancellor.

Chancellor:
You are Sweden's Queen. You are your father's daughter.

Christina:
Must we live for the dead?

Chancellor:
For the great dead, yes your Majesty.

Christina:
Snow is like a wide sea. One could go out and be lost in it and forget the world and oneself.

Chancellor:
There are rumors that your Majesty is planning a foreign marriage.

Christina:
They are baseless.

Chancellor:
But your Majesty, you cannot die an old maid.

Christina:
I have no intention to, Chancellor. I shall die a bachelor!

Don Antonio:
[mistaking her for a man] Have you ever traveled? Have you ever been far from home? Have you ever been homesick?

Christina:
I've never been out of Sweden.

Don Antonio:
Then you don't know what it is to be homesick. You don't know what it means to feel that sense of loss, the pain of nostalgia.

Christina:
One can feel nostalgia for places one has never seen.

Don Antonio:
Yes, that's quite true. Young man, that's the second time I've underestimated you...Imagine in this ice-cap finding someone who knows Spain. You understand I admire your country. It's rugged and strong and impressive. It has all the virile qualities...At home, our people are less hearty. They're a bit more graceful. It's all a question of climate. You can't serenade a woman in a snowstorm. All the graces and the arts of love - the elaborate approaches that go to make the game of love amusing - can only be practiced in those countries that quiver in the heat of the sun, in the still languorous nights where every breeze caresses with amour. Love, as we understand it, is a technique that must be developed in hot countries.

Christina:
Sounds glamorous and yet...somewhat mechanical. Evidently, you Spaniards make too much fuss about a simple, elemental thing like love. We Swedes are more direct.

Don Antonio:
Well, that's civilization. To disguise the elemental with the glamorous. A great love has to be nourished, has to be...

Christina:
[sighing] A great love...

Don Antonio:
Don't you believe in its possibility?

Christina:
In its possibility, yes, but not in its existence. A great love, a perfect love is an illusion. It is the golden fable of which we all dream. In an ordinary life, it doesn't happen. In ordinary life, one must be content with less.

Don Antonio:
So young, and yet so disillusioned. Young man, you're cynical.

Christina:
Not at all, merely realistic.


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