A democracy cannot exist as a permanent form of government. It can only exist until the voters discover that they can vote themselves largesse from the public treasury. From that moment on, the majority always votes for the candidates promising the most benefits the public treasury with the result that a democracy always collapses over lousy fiscal policy, always followed by a dictatorship. The average of the world's great civilizations before they decline has been 200 years. These nations have progressed in this sequence: From bondage to spiritual faith; from faith to great courage; from courage to liberty; from liberty to abundance; from abundance to selfishness; from selfishness to Complacency; from complacency to apathy; from apathy to dependency; from dependency back again to bondage.
Oh how smoothly, how swiftly and horribly, how cruelly and thoroughly, one discovers the powers and prowess of Maya, the Supreme power of Illusions! With a simple sleight of her hand, léger de main, everything changes in a moment; electrically charged, awesome and exciting years of life shrink to moments - just to realize that all that fascinating reality had been a dream. Perhaps all that had happened previously had been a continuous sequence of beautiful images that one would admire and fall in love with, and to realize that it’s all the game of dreams, illusions and Maya. The reality also strikes, at the same moment, that everything one would still experience in the future, would see with one’s eyes and feel with one’s hands, up to the moment of one’s death — that everything is not going to be any different in substance, or any different in kind. Why would it be? It’s always all a game, all foam and all dreams. It’s Maya, the whole lovely and frightful, delicious and desperate kaleidoscope of life with its searing delights, intertwined with its searing sorrows, the amazing show that has been ongoing since the dawn of Universe.
There are two ways of looking at the sky;you can wonder why its blue or wonder what you can do with a blue sky!Learn to take the positive approach always.
We often say"Forgive and Forget." That's the correct sequence IMHO. If you want to forget someone or some unpleasant event, you must first forgive. Forgiveness is the precursor to Forgetting. If you don't forgive, you'll never forget, and that someone or that unpleasant event will stay with you, carved inside your heart and deep in your mind. Like a magma chamber of a volcano, you will then embody the hot burning lava of hate and volcanic ashes of bad memories. So to move on with life, you ought to learn to forgive, first and foremost, even the worst people round you. The stream of life would then flow smoothly and seamlessly - onwards and upwards.
You never know till you try to reach them how accessible men are but you must approach each man by the right door.
Inspiration is wonderful when it happens, but the writer must develop an approach for the rest of the time... The wait is simply too long.
1. At the rise of the hand of the policeman, stop rapidly. Do not pass him or otherwise disrespect him.
2. If pedestrian obstacle your path, tootle horn melodiously. If he continue to obstacle, tootle horn vigorously and utter vocal warning such as "Hi, Hi."
5. Beware of greasy corner where lurk skid demon. Cease step on, approach slowly, round cautiously, resume step on gradually.
A good novel is an indivisible sum; every scene, sequence and passage of a good novel has to involve, contribute to and advance all three of its major attributes: theme, plot, characterization.
Approach each new problem not with a view of finding what you hope will be there, but to get the truth, the realities that must be grappled with. You may not like what you find. In that case you are entitled to try to change it. But do not deceive yourself as to what you do find to be the facts of the situation.
Culture's essential service to a religion is to destroy intellectual idolatry, the recurrent tendency in religion to replace the object of its worship with its present understanding and forms of approach to that object.
Everyone has his own truths and every such truth corresponds to a particular intelligence or consciousness level. If some religious absurdities are your truths, then you must increase your level to approach to the real truth! At the position of low level intelligence and consciousness, it is impossible to see the real truth!
For too long, many nations, including my own, tolerated, even excused, oppression in the Middle East in the name of stability. Oppression became common, but stability never arrived. We must take a different approach. We must help the reformers of the Middle East as they work for freedom, and strive to build a community of peaceful, democratic nations.
High culture is nothing but a child of that European perversion called history, the obsession we have with going forward, with considering the sequence of generations a relay race in which everyone surpasses his predecessor, only to be surpassed by his successor. Without this relay race called history there would be no European art and what characterizes it: a longing for originality, a longing for change. Robespierre, Napoleon, Beethoven, Stalin, Picasso, they're all runners in the relay race, they all belong to the same stadium.
How close we can approach the land of happiness with the heavy shackles on our feet of injustice permeated deeply into every corner?
I am one of those who believe that spiritual progress is a rule of human life, but the approach to perfection is slow and painful. If a woman elevates herself in one respect and is retarded in another, it is because the rough trail that leads to the mountain peak is not free of ambushes of thieves and lairs of wolves.
I approach these questions unwillingly, as they are sore subjects, but no cure can be effected without touching upon and handling them.
I believe that the supreme duty of the historian is to write history, that is to say, to attempt to record in one sweeping sequence the greater events and movements that have swayed the destiny of man.
I feel that we will continue to have a non-violent movement, and we will continue to find the vast majority of Negroes committed to non-violence, at least as the best tactical approach and from a pragmatic point of view as the best strategy in dealing with the problem of racial injustice. Realism impels me to admit, however, that when there is justice and the pursuit of justice, violence appears, and where there is injustice and frustration, the potentialities for violence are greater, and I would like to strongly stress the point that the more we can achieve victories through non-violence, the more it will be possible to keep the non-violent discipline at the center of the movement. But the more we find individuals facing conditions of frustration, conditions of disappointment and seething despair as a result of the slow pace of things and the failure to change conditions, the more it will be possible for the apostles of violence to interfere.
If you think that you've got all you need. Then, you are expected to give thanks to God almighty. Because, he gave you all that you have presently (James 1 : 17) and he did give them to you including your riches/affluence/fortune for a purpose i.e. to share them with all and sundry. But, on the other hand, if you think that you've not yet gotten all you need. Then, feel free to approach/ask God for them via prayers. For, he promised to supply all your needs according to his riches in glory (Philipians 4 : 19).
In 1994, Signe Mayfield said in The Palo Alto Cultural Center: "A more contained approach to the figure is seen in the lyrical drawing Bend, 1991, by Stephen Namara. In contrast to Neri's expressionistic forms, Namara has depicted the calisthenic stance of the figure in a pure, linear arabesque. An ambient, white light heightens the seductive beauty of the drawing. Its resonance comes from its capacity to act as both an abstract calligraph and Lyrical representation".
It isn't that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history's meaning.