If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.
If you are close to a precipice, go away a bit; if you are far from it, come close a bit! Enjoy the safety, enjoy the view! Without safety, it is dangerous; without view, it is dull! Life is an art of adjusting the distances!
If you were in a burning house and there was a cat and a Rembrandt, what would you save The cat...you would save the cat, because the cat is alive. The art is dead. It's just paint on a canvas, ink on a page. To live for art is to deny life. It's just to destroy life.
In all things, to serve from the lowest station upwards is necessary. To restrict yourself to a trade is best. For the narrow mind, whatever he attempts is still a trade; for the higher, an art; and the highest in doing one thing does all, or, to speak less paradoxically, in the one thing which he does rightly he sees the likeness of all that is done rightly.
In human life, art may arise from almost any activity, and once it does so, it is launched on a long road of exploration, invention, freedom to the limits of extravagance, interference to the point of frustration, finally discipline, controlling constant change and growth.
In other countries, art and literature are left to a lot of shabby bums living in attics and feeding on booze and spaghetti, but in America the successful writer or picture-painter is indistinguishable from any other decent businessman.
In spite of my great admiration for individual splendid talents I do not accept the star system. Collective creative effort is the root of our kind of art. That requires ensemble acting and whoever mars that ensemble is committing a crime not only against his comrades but also against the very art of which he is the servant.
In the height of thy prosperity expect adversity, but fear it not. If it come not, thou art the more sweetly possessed of the happiness thou hast, and the more strongly confirmed. If it come, thou art the more gently dispossessed of the happiness thou hadst, and the more firmly prepared.
In the works of the better poets you get the sensation that they're not talking to people any more, or to some seraphical creature. What they're doing is simply talking back to the language itself --as beauty, sensuality, wisdom, irony --those aspects of language of which the poet is a clear mirror. Poetry is not an art or a branch of art, it's something more. If what distinguishes us from other species is speech, then poetry, which is the supreme linguistic operation, is our anthropological, indeed genetic, goal. Anyone who regards poetry as an entertainment, as a read, commits an anthropological crime, in the first place, against himself.
In theatre, the main objective is to make the art happy, not the audience! If you have to choose between the audience and the art, always choose the second! You must know that the audience will always pull you down; resist it and fly at the heights like an eagle!
Increase in goodness as long as thou art here, that, when thou departest, in that thou mayest still be joyful. According to our words and deeds in this life will be the remembrance of us in the world.
Inherent inertia and no deviation from status quo are the major show-stoppers in the advancement of art, science, and society in general. Inventors are the ones who break those barriers, and raise the humankind to next higher levels that exist above and beyond the status quo and comfort zones. When most of the people in the society are standing still with their feet in the gutters of status quo, Inventors and Innovators are the ones among that crowd who are always looking at the stars. We surely need millions of such star-gazers to advance our society further, to go above and beyond the limitations and stagnation. Long live the Inventors and their spirit of Invention!
Interfacing street sculpture in public space creates an installation environment that turns regular space into art space. Signs and people and everything around a street sculpture—they all become part of it. A two-dimensional work, being confined to surfaces, doesn't have as much of a capacity.”