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A society person who is enthusiastic about modern painting or Truman Capote is already half a traitor to his class. It is middle-class people who, quite mistakenly, imagine that a lively pursuit of the latest in reading and painting will advance their status in the world.
Anti-Semitism is a horrible disease from which nobody is immune, and it has a kind of evil fascination that makes an enlightened person draw near the source of infection, supposedly in a scientific spirit, but really to sniff the vapors and dally with the possibility.
In politics, it seems, retreat is honorable if dictated by military considerations and shameful if even suggested for ethical reasons.
In verity we are the poor. This humanity we would claim for ourselves is the legacy, not only of the Enlightenment, but of the thousands and thousands of European peasants and poor townspeople who came here bringing their humanity and their sufferings with them. It is the absence of a stable upper class that is responsible for much of the vulgarity of the American scene. Should we blush before the visitor for this deficiency?
It has to be acknowledged that in capitalist society, with its herds of hippies, originality has become a sort of fringe benefit, a mere convention, accepted obsolescence, the Beatnik model being turned in for the Hippie model, as though strangely obedient to capitalist laws of marketing.
Labor is work that leaves no trace behind it when it is finished, or if it does, as in the case of the tilled field, this product of human activity requires still more labor, incessant, tireless labor, to maintain its identity as a work of man.
The American, if he has a spark of national feeling, will be humiliated by the very prospect of a foreigner's visit to Congress -- these, for the most part, illiterate hacks whose fancy vests are spotted with gravy, and whose speeches, hypocritical, unctuous, and slovenly, are spotted also with the gravy of political patronage, these persons are a reflection on the democratic process rather than of it; they expose it in its process rather than of it; they expose it in its underwear.
The strongest argument for the un-materialistic character of American life is the fact that we tolerate conditions that are, from a negative point of view, intolerable. What the foreigner finds most objectionable in American life is its lack of basic comfort. No nation with any sense of material well-being would endure the food we eat, the cramped apartments we live in, the noise, the traffic, the crowded subways and buses. American life, in large cities, is a perpetual assault on the senses and the nerves; it is out of asceticism, out of unworldliness, precisely, that we bear it.
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