O Ritual dos Sádicos

O Ritual dos Sádicos

TV Narrator:
[on television program Who Afraid of the Truth?] Jos? Mojica Marins, also knows as Z? do Caix?o, writer, director, actor and producer of motion pictures and TV shows. Glauber Rocha, acclaimed throughout the world as the leader of the New Brazilian Cinema, considers Z? do Caix?o a primitive artist and a pure filmmaker. Anselmo Duarte, awarded at the Cannes Film Festival, considers Z? do Caix?o a filmmaker of undeniable talent. Most critics however, don't take him seriously. Z? do Caix?o: filmmaker or fraud? Guilty or not guilty? That's what the people's court of truth is going to decide, starting now. What do you think about life?

Jos? Mojica Marins:
It's absolutely empty.

Interviewers:
Then why not kill yourself?

Jos? Mojica Marins:
Suicide is a crime.

Interviewers:
To argue with him is a waste of time.

Interviewers:
I have no intention of arguing with you, but I'll ask you to give us a clear message. If you say that life is rotten, in a few seconds, you also must explain why.

Jos? Mojica Marins:
Look, I've have no culture to explain the answer to that question.

Interviewers:
How do your movies contribute to the Brazilian Cinema?

Jos? Mojica Marins:
Creating many jobs and giving audiences what they want to see.

Interviewers:
What he writes is a load of rubbish. It's good only to be shredded into pieces.

Jos? Mojica Marins:
At least it was good for something.

Interviewers:
Mojica, that fingernail on your thumb, that nail of a wild boar, do you hang your clothes on it?

Jos? Mojica Marins:
Answer censored.

TV Narrator:
What's the title of your current film?

Jos? Mojica Marins:
Ritual of the Sadists: Awakening of the Beast.

Interviewers:
I am aware of the difficulties of making movies in Brazil. But couldn't you make a movie with a message of happiness?

Jos? Mojica Marins:
Making a film in Brazil is like making a spaceship and sending it to the Moon. We have no resources to make movies, and the filmmaker must create a character. He must attack on all medias. He has to buy imported film stock, film stock! To recreate what's already been created! And show the audiences what they want to see! Otherwise, it's hopeless: the theaters will close! Reviewers will sell bananas and filmmakers will eat the peels!


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