A Mighty Wind

Mike LaFontaine:
I worked some bills with a few Folkies, you know, 'Put 'em in a cell with a long hose on him, put 'em in a cell with a long hose on him,' Ha. But if you put him in a cell with a long hose on him, he'd make a lot of friends in the shower room.

Mark Shubb:
We're going to have to put saddles on those folks!

Terry Bohner:
There was abuse in my family, but it was mostly musical in nature.

Mitch Cohen:
I would love to see this town in the autumn. I think Crabbeville in autumn would look quite magnificent.

Amber Cole:
Thank God for the model trains, you know? If they didn't have the model trains they wouldn't have gotten the idea for the big trains.

Alan Barrows:
And they had no hole in the center of the record.

Mark Shubb:
It would teeter crazily on the little spindle.

Jerry Palter:
No, you had to provide it yourself. They were still good records. Good product.

Mark Shubb:
If you punched a hole in them, you'd have a good time.

Mark Shubb:
To do then now would be retro. To do then then was very now-tro, if you will.

Lawrence E. Turpin:
Alright, here's your giant banjo...

Jonathan Steinbloom:
Um-hmm. It's very flat.

Lawrence E. Turpin:
Well, it doesn't look flat from in the audience.

Jonathan Steinbloom:
It has basically, no dimension to it.

Lawrence E. Turpin:
Well, it's painted to look three dimensional. If you go back there, trust me...

Jonathan Steinbloom:
But it's not painted on the back. I'm looking ot the back right now. Will you look with me for a minute?

Lawrence E. Turpin:
Why would it be... From the audience it's gonna look perfectly fine. And It looks three dimensional. Just go out there and take a peek.

Jonathan Steinbloom:
Well, is this the real furniture or is this the rehearsal furniture?

Lawrence E. Turpin:
Well, A it's not called furniture. It's a set.

Jonathan Steinbloom:
Uh-huhh...

Lawrence E. Turpin:
And it's painted this way. It looks completely three dimensional from the audience, if you just go out that way, Mr. Steinbloom.

Jonathan Steinbloom:
So this is the real furniture, and this is... Is this an actual street lamp?

Lawrence E. Turpin:
I'm sure it was at one time.

Jonathan Steinbloom:
Can you have an actual three dimensional object that's represents the thing that it actually is, can that be next to something that it's pretending to be? Would that be okay?

Lawrence E. Turpin:
Yes, it's perfectly fine. You know, I really don't have time to explain Stagecraft 101. This show starts in an hour. Now, every... everything is exactly the way you...

Jonathan Steinbloom:
And what are tho... what's tha... that... Those are lights hanging up there?

Lawrence E. Turpin:
Yes, those are lights...

Jonathan Steinbloom:
Could they fall?

Lawrence E. Turpin:
...and that's a ceiling above us!

Jonathan Steinbloom:
But they look shaky.

Lawrence E. Turpin:
No, they're not shaky, they're perfectly...

Jonathan Steinbloom:
Is that wire? I see a wire. I see a...

Jonathan Steinbloom:
Oww!

Jerry Palter:
We don't want people to reach for their remotes here.

Mark Shubb:
It's public television.

Alan Barrows:
They don't have remotes.

Mitch Cohen:
Seeing these long lines of fans who want nothing more than to have you sign an autograph, it's like it's 1968... Or '67... Or '66.

Laurie Bohner:
We are Winc. W-I-N-C. Witches In Nature's Colors.

Mitch Cohen:
You know, 35 years ago, preparing for a concert meant playing "find the cobra" with the hotel chambermaid.

Mitch Cohen:
I feel ready for whatever the experience is that we will... take with us after the show. I'm sure it will be... an adventure... a voyage on this... magnificent vessel... into unchartered waters! What if we see sailfish... jumping... and flying across the magnificent orb of a setting sun?

Mike LaFontaine:
To paraphrase an old joke... Knock, knock. Who's there? It's the New Main Street Singers!

Jerry Palter:
We go out there, we do the song we're known for, we get it out of the way and then, 'hey, here's the icing on the cake.'

Alan Barrows:
What's the icing?

Jerry Palter:
Well the icing is the rest of the act.

Mark Shubb:
That's the cake.

Jerry Palter:
No, that's the dressing.

Mike Lafontaine:
I got a weal wed wagon!

Laurie Bohner:
I learned to play the ukulele in one of my last films, "Not so tiny Tim".

Mickey Crabbe:
Is there a cockfight arena near here?

Jerry Palter:
Things have been going really well. We got some gigs here, working at the casinos. It has been a time of changes, but change is good. Change is life.

Mark Shubb:
It was like a great big door opening for me... Town Hall... after that concert, I realized I wanted to spend as much of the rest of my life as possible playing folk music with these gentlemen...

Jerry Palter:
Right back atcha.

Mark Shubb:
...and I wanted to spend all of it as a woman. I came to a realization that I was - and am - a blonde, female folk singer trapped in the body of a bald, male folk singer and I had to LET ME OUT or I WOULD DIE.

Jerry Palter:
When you put it that way, it's almost poetry.

Alan Barrows:
Almost.

Mickey Crabbe:
Then there's the kids - we're hearing: "You rock... you rock me... you rock my world!" What?

Mitch Cohen:
It's like it's 1968... or 67... or 66... umm...

Mickey:
The good years.

Jonathan Steinbloom:
Before we begin tonight's performance I would like to make a brief announcement. I'd like to warn you that some of the floral arrangements at tonight's performance have dangerously low hanging vines and may be poisonous. So please, whatever you do, don't eat 'em and don't become entangled in them or trip, please.

Amber Cole:
One time I had a friend who asked me if I'd like to play the piccolo but I said no.

Laurie Bohner:
Terry and I worship an unconventional deity. The power of another dimension. Now you are not going to read about this dimension in a book or a magazine because it exists nowhere... but in my own mind. Through our ceremonies and rituals we have witnessed the awesome and vibratory power... of color.

Terry Bohner:
Honey, can you run your hand over this? What are you getting?

Laurie Bohner:
I'm getting a bounce, but there's a lightness within it.

Mitch Cohen:
What do you do, Leonard? For work?

Leonard Crabbe:
Oh work! I'm in the bladder management industry. I sell catheters. I've started my own distribution company, Sure Flo, you might have heard of it.

Terry Bohner:
This is not an occult science. This is not one of those crazy systems of divination and astrology. That stuff's hooey, and you've got to have a screw loose to go in for that sort of thing. Our beliefs are fairly commonplace and simple to understand. Humankind is simply materialized color operating on the 49th vibration. You would make that conclusion walking down the street or going to the store.

Leonard Crabbe:
I'm a model train enthusiast.

Amber Cole:
Oh! That's great!

[chuckles]

Leonard Crabbe:
Yes... sort of a whole layout in my basement. Very much a big passion for me, 'tis.

Amber Cole:
Yeah. Thank God for model trains.

Leonard Crabbe:
Oh, absolutely.

Amber Cole:
You know, if they didn't have the model train, they wouldn't have gotten the idea for the big trains.

Leonard Crabbe:
[Leonard shows Mitch his model trains] This whole area here is called Crabbe Town. We've got a brothel down there above the saloon. And right down there further along I'm thinking of building a French Quarter. I've actually got a bit of French blood.

Mitch Cohen:
I would love to see this town in the autumn. I think Crabbeville in autumn would look quite magnificent. I would have made tiny little leaves, oak, poplar, maple, chestnut, and spread them across the town of Crabbe...ville. Magnificent.

Leonard Crabbe:
It's Crabbe Town, not Crabbeville.