Jeremy Davies is a different kind of American in Paris. In the heady days of 1969, this aspiring director edits a silly sci-fi spy adventure by day while spending his nights obsessively filming his own life, much to the frustration of his stewardess girlfriend (Elodie Bouchez), who tires of his using his camera to avoid intimacy. First-time director Roman Coppola (son of Francis) creates a slight but fun picture steeped in 1960s movie lore: the film-within-a-film is a pop-art spectacle that recalls Barbarella, Modesty Blaise, and Danger: Diabolique, while its Italian producer (Giancarlo Giannini) is a high-living Dino De Laurentiis. If the film is slight, the details are right, from the opulent and outrageous sets to the meticulously retro special effects to the groovy music by Mellow. You could think of CQ as Coppola's 8½, about a man so busy filming his life he forgets to live. --Sean Axmaker
It's a science-fiction film about a futuristic spy named Dragonfly.
Oh, well that's interesting. Your grandmother used to call dragonflies "the devil's darning needles." She told me that they come in the night and stitch up your mouth if you use profanity or were otherwise voluble.
This isn't exactly about that...
Well, maybe you can use it somehow.
You never know when some little overheard story or image can find a place in your work.