Despite George Lucas's name in the credits (as executive producer) and several experiments in computer-generated imagery (seamlessly included but to little avail), this film qualifies as a major dog, a door-slamming farce in which the doors are funnier than the people slamming them. Set in a radio studio on a night in 1939 that a new radio network is being launched, the frenetic and scattered story blends a growing pile of corpses, network and sponsor politics, the crazed efforts involved to put on radio shows, and the on-again, off-again marriage of head writer Roger (Brian Benben) and secretary Penny (Mary Stuart Masterson), the only one who seems to have it together. Benben has a Groucho-like sense of timing and delivery, but he can't elevate surprisingly weak comic material. --Marshall Fine