Joan of Arcadia, Season One

Joan of Arcadia is an American television fantasy/family drama, which aired on Fridays on CBS from 26 September 2003 until 22 April 2005. The title is a portmanteau of Joan of Arc and the fictional city of Arcadia, Maryland. The stories involve a teenage girl, Joan Girardi (played by Amber Tamblyn), who sees and speaks with God in the form of various people and is asked to perform tasks that often appear to be trivial or contrary, but always end up positively improving a larger situation.

Joan:
Because my life is completely unraveling. I'm up to my eyeballs in the drama of the high school mating ritual, and now, thanks to you, I've been mistaken as the school chess champion. How did this happen to me?

God:
Which part?

Joan:
How did I beat that kid at chess?

God:
He was using logic. You weren't. It's impossible to guard against chaos. It's rare, but it happens. Black's move.

Joan:
I don't want to... I don't know how to play this game.

God:
And yet you play the game.

Joan:
Because I'm forced to.

God:
Forced to? Your friends make a suggestion, which you follow up on, and then you're surprised at the outcome? It's a causal universe. Move.

Joan:
Wait a minute, I'm being punished because I made a tiny little effort to fit in?

God:
It's not about punishment. It's that actions have consequences, and to be in denial of that is to be disengaged from the laws of the universe, which renders you powerless and vulnerable to an inordinate amount of pain. Other than that, it's no big deal... move.... (She touches one of the pieces and then changes her mind)No....

Joan:
No?

God:
It's a rule called "touch move." Once you touch a piece, you have to move that piece.

Joan:
I'm not allowed to change my mind? What kind of universe is that?

God:
Oh, you can change your mind, but you still have to play that piece. So you should think before you move.

Joan:
Wait a minute, this is a metaphor... Yeah, I looked up "metaphor" and that's definitely an example... Yep... took the bait. So now I'm in the game. How do I get out?

God:
There are many ways to get out; surrender is one, losing is another. Winning, cheating, which I don't recommend, but you have to do something. You have to have a strategy. See the number one rule in chess is this; whatever you do, don't play the other person's game. Play your own... Your move.

Luke:
There's this moose. And the moose is telling this other moose that the other moose is really an elk and as such should be running with another herd.

Kevin:
Uh huh?

Luke:
OK? But the moose is basing his whole assessment on what appears to be questionable evidence.

Kevin:
Like his horns are kinda small?

Luke:
Actually, it's more of a behavioral observation. Like, say the moose in question was seen sniffing a flower, which according to the first moose is elk-like. But the second moose isn't so sure. I mean, he doesn't feel like an elk, he doesn't have elk thoughts. Does it make him an elk just because he likes this one flower?

Kevin:
Did you want to try a science metaphor?

Luke:
...Does it mean I'm gay if I like a lesbian?

Kevin:
Who have you been talking to?

Luke:
I'd rather leave the moose out of it.

Kevin:
Well, first of all, No. Liking a girl is liking a girl. And who says she's a lesbian?

Luke:
That would be the moose again.

Kevin:
Right, you know, usually this kinda thing you just know.

Luke:
I know, but apparently there are all these indicators about me.

Kevin:
Here's your only indicator. You ready? When you're alone, just kinda passing the time, what do you think about?

Luke:
How to get past level five on Diablo. That kinda thing?

Kevin:
No, I mean, OK, when you're in the shower?

Luke:
OH! Right, well, sometimes I think about Condaleeza Rice. I mean, her influence is second only to Kissinger.

Kevin:
 :[Stares]

Luke:
Um, and then there's Sigourney Weaver in Alien, Christina Ricci, Batgirl.

Kevin:
Ok, stop. See, that's all you need to know.

Luke:
So, I'm definitely a moose?

Kevin:
Don't ever make me walk you through this again, OK?

Luke:
You know, I'm not certain this magnet is powerful enough for my needs.

Kevin:
Mm-hmm.

[He puts a little jar of paint in is pocket.]

Luke:
See, 'cause what I want to do is make a rail gun that lessens the power requirements of the compulsator by increasing the magnetic field using ceramic magnets.

Kevin:
Just give me the magnet!

[He puts the magnet and another jar of paint in his pocket.]

Luke:
Oh. Well, Mr. Big bucks has a job and wants to show off. Thanks. What are you-- what are you doing?

Kevin:
It's called the wheelchair discount.

[Kevin puts only 1 or 2 jars of paint on the counter. We know he has many more in his pockets.]

Clerk:
Will that be all?

Kevin:
Yeah.

Luke:
Kev? What?

Kevin:
Shut up.

Luke:
Give me the magnet.

Kevin:
Fine. Be jelly. I'm just trying to help you out here.

Luke:
Be that as it may--

Kevin:
[To the clerk] You want me to empty out my pockets or anything?

Clerk:
No, it's ok.

Kevin:
'Cause sometimes my chair sets off the alarm.

Clerk:
Uh, it won't be necessary. $3.87, please. See?

Kevin:
[To Luke] It's like being invisible. Isn't that one of those geek powers you always used to wish for?

Luke:
[To the clerk] Is this the strongest magnet you've got?

Clerk:
Uh, yeah. $6.49.

Kevin:
[To Luke] That's $6.49 you could have saved. [And he wheels out]

Luke:
Keep the change.

Clerk:
Out of a 20?

[Kevin rolls back up to the counter and puts the remaining paint jars on the counter and leaves.]

Luke:
I'm sorry, um, I'll pay for these.

Clerk:
Poor guy, right? I mean, he's got it tough. Poor bastard.

Luke:
Ok. See, what you're doing right there, you might as well spit on him. It even makes me want to steal from you. I know you're trying to be a nice guy, here, but still, I'd like to smash your face.

Grace:
Y'know, this whole debate is a joke.

Friedman:
I have a very strong rebuttal.

Grace:
Like it matters? No matter what happens in this debate, those metal detectors will still be there. They will still stop us and search us.

Mr. Price:
I would like you to leave, Miss Polk.

Grace:
Oh, gee, remember free speech, Mr. Price?

Mr. Enfield:
Remember decorum? Manners? Civility?

Grace:
Yeah, all the things that used to keep us down? Well guess what, today is about freedom.

Joan:
You call what you are doing right now free speech?

Mr. Enfield:
You're not debating this young woman, Miss Girardi. I suggest you not deviate from the rules.

Friedman:
[In undertone to Glynis] We're so gonna win this debate.

Grace:
That's right, Girardi. Party line - that's what it's about.

Mr. Price:
Alright, out!

Joan:
And what's it about for you, Grace? Your idea of freedom is a world where everyone agrees with you?

Grace:
You believe in this crap?

Joan:
I don't know what I believe. I know Ramsey came in here with a gun. I know people could have died - you, me. You said I think like this becasue my father's a cop? Like that's bad? Yeah, my dad is a cop and you may think that makes him some kind of bigot, but he deals with those guns every day. This is not some political thing for him, this is reality. He's had them pointed at him and shoved in his face and that makes it real for me too, because every time I hear that the cops are in someplace and shots are fired, I wonder if I'm ever going to see my father again. I don't think we should have to, like, live in some prison - that sucks - but I do know we have to deal with this. We have to work something out. Even if it's not what we sort of believe in in the first place. I know I'm mouthing off, Mr Enfield, and I can't cite some report to back up my theories. I - this is just how I feel.


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