The Secret Policeman's Ball

The Secret Policeman's Ball

The Secret Policeman's Ball is the name informally used for the long-running series of benefit shows staged initially in the United Kingdom to raise funds for the human rights organisation Amnesty International. The shows started in 1976 featuring popular British comedians but later included leading musicians and actors. The Secret Policeman's Ball shows are credited by many prominent entertainers with having galvanised them to become involved with Amnesty and other social and political causes in succeeding years. There have been four distinct eras of the Amnesty benefit shows. The shows of the first era (1976–1981) yielded films, television specials, home-videos, and albums that have since been widely seen and heard internationally. The three subsequent eras (1987–1989, 1991–2001 and 2006 onwards) have primarily featured locally popular British performers – and spin-off products have been released mainly in the UK. In March 2012, The Secret Policeman's Ball took place in the United States for the first time. The one-night show at New York's Radio City Music Hall on 4 March was part of Amnesty's 50th anniversary commemorations.

Year:
1979
531 Views

[aside]

Judge:
I hope you brought a toothbrush.

Judge:
[aloud] Ladies and gentlemen of the jury, it is now my duty to advise you on how you should vote when you retire from this court. In the last few weeks we have all heard some pretty extraordinary allegations being made about one of the prettiest, about one of the most distinguished politicians ever to rise to high office in this country - or not, as you may think. We have heard, for example, from Mr Bex Bissell - a man who by his own admission is a liar, a humbug, a hypocrite, a vagabond, a loathsome spotted reptile and a self-confessed chicken strangler. You may choose, if you wish, to believe the transparent tissue of odious lies which streamed on and on from his disgusting, greedy, slavering lips. That is entirely a matter for you. Then we have been forced to listen to the pitiful whining of Mr Norma St.John Scott - a scrounger, parasite, pervert, a worm, a self-confessed player of the pink oboe; a man, or woman who by his, or her, own admission chews pillows! It would be hard to imagine, ladies and gentlemen of the jury, a more discredited and embittered man, a more unreliable witness upon whose testimony to convict a man who you may rightly think should have become Prime Minister of his country or President of the world. You may on the other hand choose to believe the evidence of Mrs Scott - in which case I can only say that you need psychiatric help of the type provided by the excellent Dr Gleadle. On the evidence of the so-called "hit man", Mr Olivia Newton-John, I would prefer to draw a discreet veil. He is, as we know, a man with a criminal past, but I like to think - ho, ho, ho - no criminal future. He is a piece of slimy refuse, unable to carry out the simplest murder plot without cocking it up, to the distress of many. On the other hand, you may think Mr Newton-John is one of the most intelligent, profound, sensitive and saintly personalities of our time. That is entirely a matter for you. I now turn to the evidence about the money and Mr Jack Haywire and Mr Nadir Rickshaw, neither of whom, as far as I can make out, are complete and utter crooks, though the latter in incontestably foreign and, you may well think, the very type to boil up foul-smelling biryanis at all hours of the night and keep you awake with his pagan limbo dancing. It is not contested by the defence that enormous sums of money flowed towards them in unusual ways. What happened to that money, we shall never know. But I put it to you, ladies and gentlemen of the jury, that there are a number of totally innocent ways in which that ?20,000 could have been spent: on two tickets for Evita, a centre court seat at Wimbledon, or Mr Thrope may have decided simply to blow it all on a flutter on the Derby. That is his affair and it is not for us to pry. It will be a sad day for this country when a leading politician cannot spend his election expenses in any way he sees fit. One further point - you will probably have noticed that three of the defendants have very wisely chosen to exercise their inalienable right not to go into the witness box to answer a lot of impertinent questions. I will merely say that you are not to infer from this anything other than that they consider the evidence against them so flimsy that it was scarcely worth their while to rise from their seats and waste their breath denying these ludicrous charges. In closing, I would like to pay tribute to Mr Thrope's husband, Miriam, who has stood by him throughout this long and unnecessary ordeal. I know you will join me in wishing them well for a long and happy future. And now, being mindful of the fact that the Prudential Cup begins on Saturday, putting all such thoughts from your mind, you are now to retire - as indeed should I - you are now to retire, carefully to consider your verdict of "Not Guilty".

Schoolmaster:
All right, quiet. Ainsley. Babcock. Bland. Carthorse. Dint. Ellsworth-Beast Major. Ellsworth-Beast Minor. Fiat. German. Havenut. Haemoglobin. Jones M. Jones N. Kosygin. Loudhailer. Mattock. Nancyboy-Potter. Nibble.

[laughter]

Schoolmaster:
I have a detention book. Orifice. Plectrum. Poise. Sediment. Soda. Taah. Taah? Under-Manager. Wicket. Williams-Wicket. Williams-Witcherley. Witcherley-Wicket. Witcherley-Williams. And Witcherley-Williams. Wocket. Zob. Hmmm, absent. All right, your essays. "Discuss the contention that Cleopatra had the body of a roll-top desk and the mind of a duck". Oxford and Cambridge O-Level examination, 1976. The answer; yes. Don't fidget, Bland. Nancyboy-Potter and Wicket, see me afterwards. Most of you of course, didn't write nearly enough. Dint, your answer was unreadable. Put it away, Plectrum. If I see it once more this period, I shall tweak you. Is your father a solicitor, boy ? You're lying Plectrum, so see me afterwards to be tweaked anyway. Yes, isn't life tragic? Oh don't snivel, boy, for God's sake. Has Matron seen those boils? Havenut, Jones M. and Sediment, cribbing. Under-Manager, answer upside-down. Do you do it deliberately, boy ? You're a blemish, Under-Manager. A carbuncle on the backside of humanity. Don't sn*gger, Babcock! It's not funny. Anthony and Cleopatra is not a funny play. If Shakespeare had meant Anthony and Cleopatra to be funny, he would have put a joke in it. There is no joke in Anthony and Cleopatra. You would know that if you'd read it, wouldn't you, Babcock? Pest! Which of Shakespeare's plays does have a joke in it? Anyone? The Comedy of Errors, for God's sake! The Comedy of Errors has the joke of two people looking like each other. Twice. It's not that funny, German. And the other Shakespearian joke is, Nibble? NIBBLE! Leave Orifice alone! What a lot! All right, for the rest of this period, you will write about Enobarbus. Under-Manager, just try and write, "Enobarbus". Either way up, boy, I'm not bothered. Usual rules; no eating, no cheating, no looking out of windows, no slang, no slide rules. Use ink only, via a nib if possible. Kosygin, you're in charge.


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