Cheers

Cheers

Cheers is an American sitcom that ran for eleven seasons between 1982 and 1993. The show was produced by Charles/Burrows/Charles Productions in association with Paramount Network Television for NBC and created by the team of James Burrows, Glen Charles, and Les Charles. The show is set in a bar named Cheers (named after its real life counterpart) in Boston, Massachusetts, where a group of locals meet to drink, relax, and socialize. The show's main theme song, written and performed by Gary Portnoy, and co-written with Judy Hart Angelo, lent its famous refrain "Where Everybody Knows Your Name" as the show's tagline.

Year:
1982
22,066 Views

Diane Chambers:
Well, Sam I guess I'll be going home. Unless there's something you'd like to talk to me about. Now that we're almost alone and we have a private moment. [she is expecting Sam to ask her to go away for a romantic weekend]

Sam Malone:
Well, actually there is something I'd like to ask you. [He is going to ask her to tend bar for the weekend while he's away. The only other time she tended bar, she didn't like it and did badly]

Diane Chambers:
Oh? Ask away.

Sam Malone:
You know, you've been acting kind of strange today, is there...

Diane Chambers:
Well, I've had something on my mind.

Sam Malone:
Ah-ha. Well, me too. Ah... Well, it's getting pretty tough for me to ask you, actually, um...

Diane Chambers:
Sam, if it makes it any easier, I know what you're going to ask.

Sam Malone:
You do?

Diane Chambers:
Yes. I overheard your conversation. Perhaps I shouldn't have, but I couldn't help it. You're going to ask about this weekend, aren't you?

Sam Malone:
Yeah. Yeah. The first time we tried it, it didn't turn out too hot. Well, I'm going to take full responsibility for that.

Diane Chambers:
Well. I'm sure that I was at fault too.

Sam Malone:
Well, whatever, whatever. I think the important thing is that it'll be better this time, now you know where everything is.

Diane Chambers:
Well, I suppose that's true.

Sam Malone:
Yeah, I'll tell you what. Ah, if you like this weekend, maybe we can talk about making it permanent. What do you say?

Diane Chambers:
Permanent? Is that what you want Sam?

Sam Malone:
Well, I'm not making any promises here. Let, ah, let's just see how the weekend goes. OK? Is tomorrow at 3 OK, cause I already made reservations...

Diane Chambers:
I know, I'm... Sam, I'm, I'm just overwhelmed.

Sam Malone:
Oh, come on, you don't have to be nervous. Listen, after your first couple of drinks, you'll relax, get into it and I think you'll actually enjoy it.

Diane Chambers:
Well, it does seem to help.

Sam Malone:
Yeah.

Diane Chambers:
Oh, Sam...

Sam Malone:
What, what, what?

Diane Chambers:
Well, everything's going so fast. My mind is a tumult. I feel like we're on a runaway train. Where will it end? I, I, I've got to think about this, I'm sorry. [heads out of the bar]

Sam Malone:
Boy you really are taking this seriously. [yells after her as she leaves the bar] Hey, listen, don't worry, if you break anything, I'm fully insured.

Dr. Frasier Crane:
Congratulate the doctor. I'm doing a piece on the psychological ramifications of Ingmar Bergman's later works for American Film.

Norm Peterson:
Oh, that's great Frase.

Dr. Frasier Crane:
I'd like to read it to you to see if it's still accessible to the layman. May I have your opinion?

Carla LeBec:
Sure: buy a new suit, get a haircut, and stay home.

Dr. Frasier Crane:
Thank you, Carla. Now, I call the piece, "Ingmar Bergman: Poet of the Subconscious". The films of Ingmar Bergman...

Norm Peterson:
Boy, who could forget her in 'Casablanca', huh?

Dr. Frasier Crane:
No, no, you're thinking of Ingrid Bergman, I'm talking about Ingmar Bergman.

Woody Boyd:
Ingmar Bergman, the boxer?

Cliff Clavin:
No Woody, you're thinking of Ingemar Johansson.

Sam Malone:
You mean the guy that knocked out Floyd Patterson?

Norm Peterson:
No, no, no, Sonny Liston knocked out Patterson.

Pete:
Who knocked out Johansson?

Norm Peterson:
Patterson.

Steve:
Before Liston?

Norm Peterson:
No, Johansson knocked out Liston.

Cliff Clavin:
Well, who knocked out Patterson?

Woody Boyd:
Was it Ingrid Bergman?

Pete:
Ingrid Bergman...

Dr. Frasier Crane:
[yells] Shut up, shut up! Not one more word. I came in here to discuss Ingmar Bergman, not to start an Abbott and Costello routine.

Norm Peterson:
Actually, I thought it was more like Martin and Lewis.

Sam Malone:
You mean, Joe Louis?

Cliff Clavin:
Oh, he's the one who knocked out Floyd Patterson.

Woody Boyd:
Then who knocked out Lou Costello?

Dr. Frasier Crane:
[exasperated] Apparently Ingrid Bergman.

Woody Boyd:
Boy, she was tougher than she looked.

Kelly Gaines:
Oh, Woody. I kind of wish I didn't have to go all the way to Europe right now, what with us getting so close and everything. But Daddy really wants me to go and you know how he is.

Woody Boyd:
[slightly exasperated] Do I ever.

Kelly Gaines:
What's that supposed to mean?

Woody Boyd:
Nothing. I just know how he is.

Kelly Gaines:
What do you mean by "is"?

Woody Boyd:
Well, he can be sort of... you know.

Kelly Gaines:
What do you mean by "you know"?

Woody Boyd:
Same thing as is.

Kelly Gaines:
[getting mad] Hey! Are you putting down Daddy?

Woody Boyd:
I'm not putting down Daddy.

Kelly Gaines:
Don't call him Daddy. He's not your Daddy. He's my Daddy!

Woody Boyd:
Well it's a good thing, because my Daddy doesn't treat me like a baby!

Kelly Gaines:
[shocked] Woody Boyd, what an awful thing to say!

Woody Boyd:
I'm sorry, Kelly. I take it back.

Kelly Gaines:
[removing the 'Promise Ring' Woody gave her and putting it on the bar counter] Well you can take this back, too.

Woody Boyd:
I can't take this back, I don't even have a receipt.

Kelly Gaines:
[in a matter-of-fact tone of voice] Well then I guess you'll just have to find the person who has it, and give it back to them so they can return it and get credit.

Woody Boyd:
[confused] What's that supposed to mean?

Kelly Gaines:
You know what it means.

Woody Boyd:
[still confused] No really, what does it mean?

Kelly Gaines:
[leaving the bar] Stop it Woody, you can't make up now.

Woody Boyd:
[still confused, and turning to the others] No really, can anybody tell me what it means?

Woody Boyd:
Miss Howe? Can I have tomorrow off?

Rebecca Howe:
Woody, I pay you for a forty hours a week. I expect forty hours work. Besides, I need you to take me to go get my car once it's finished being detailed.

Woody Boyd:
What time will that be?

Rebecca Howe:
Right after my beauty shop appointment. I'm getting cellophane highlights put in my hair, then I'm going to have a manicure then a pedicure.

Woody Boyd:
Pedicure?

Rebecca Howe:
Yeah. I have a date with Robin tonight and I may want to play footsie.

Woody Boyd:
All right, I can drive you Miss Howe.

Rebecca Howe:
Good.

Woody Boyd:
But after that, if there's time, can I take off?

Rebecca Howe:
God, Woody. What is so all fired important about your stupid life?

Woody Boyd:
Well, I cook and deliver meals to elderly shut-ins.

Rebecca Howe:
[sheepishly] Oh.

Woody Boyd:
You know, I normally do it on my day off, but this week on my day off I'm doing a walkathon for illiteracy. We're against it.

Rebecca Howe:
Well, OK, then that would be all right Woody.

[as Rebecca is about to walk into her office, Woody grabs the glass bottle out of her hand]

Woody Boyd:
Oh, oh, Miss Howe. Wait. I'm recycling glass bottles. I want this world to be clean for our children. I mean, my children... or your children... or our children. But seeing as how you got a date with someone else tonight, it seems like a long shot.

Rebecca Howe:
Woody, you're so good and I'm so bad. I feel guilty and ashamed. I, I feel like killing myself.

Woody Boyd:
[hands her a business card] I also volunteer for a suicide hotline. We do good things.

Diane Chambers:
As often happens in my life, this gentleman is becoming much too serious much too fast. He's wearing that smitten look I know so well. I've got to do something before it goes any further.

Sam Malone:
Uh-huh. I see.

Diane Chambers:
For the first time in my life, I can't bring myself to tell the truth to a man, so I need a lie. And God forgive me, I'm coming to you for help.

Sam Malone:
Well, I'm flattered. Um, all right, let me, let me give this a little thought here. All right, all right, I've never passed this one on before, but I think it's the ticket here. It's neat, it's fast, clean, and best of all, it makes them want them want to get away from you. Here's what you do. Tell him you have a contagious skin condition, and that insanity runs in your family.

Diane Chambers:
[mockingly] Very sensitive.

Sam Malone:
Thank you. It's a gift.

Diane Chambers:
Sam, I have never been more grateful to you than I am now. I just looked into the face of insensitivity and dishonesty and it made me blanch. I am going out there and I am going to break up with Stuart, but I'm going to do it honestly, straightforwardly and yet caringly. I'll tell him the truth of my feelings: that I'm not attracted to him romantically, although I am very attracted to him as a friend. And I'll say it a way that, that he will accept and understand and be grateful for. Do you even begin to understand what I'm trying to say?

Sam Malone:
Everything except the part where you changed your name to Blanche.

Diane Chambers:
Good-bye Sam.

Sam Malone:
Good-bye Blanche.

Lisa Pantusso:
Look, Daddy. I'm not dumb. I know Roy's abrasive. I know he's insensitive, and I know he's probably only marrying me so he can get the Pennsylvania territory.

Ernie 'Coach' Pantusso:
Why would you want to marry a man like this?

Lisa Pantusso:
Isn't it obvious to you?

Ernie 'Coach' Pantusso:
Nothing's ever obvious to me.

Lisa Pantusso:
Daddy, don't make me say this.

Ernie 'Coach' Pantusso:
What, what?

Lisa Pantusso:
I want to be married and I want to have children. Roy is the first man that ever asked me to marry him, and I'm afraid he's going to be the last.

Ernie 'Coach' Pantusso:
Oh, come on honey. There must have been dozens of young fellas that proposed to you.

Lisa Pantusso:
No, Daddy. Wake up. Roy is the first one, ever.

Ernie 'Coach' Pantusso:
But you're so beautiful, so...

Lisa Pantusso:
Beautiful? Daddy, you have been saying that I'm beautiful ever since I was a very little girl. But look at me, not as my father, but like you were looking at me for the first time and please, try to see me as I really am.

Ernie 'Coach' Pantusso:
[after looking deep into Lisa's eyes] Oh my God, I, I didn't realize how much you look like your mother.

Lisa Pantusso:
I know. I look exactly like her, and mom was not b...

[Lisa pauses to reflect]

Lisa Pantusso:
...comfortable about her beauty.

Ernie 'Coach' Pantusso:
But that's what made her more beautiful. Your mother grew more beautiful every day of her life.

Lisa Pantusso:
She was really beautiful.

Ernie 'Coach' Pantusso:
Yes, and so are you. You're the most beautiful kid in the whole world.

Lisa Pantusso:
Thanks, Daddy.

Dr. Frasier Crane:
All right, stop everything. I've got a major news flash. I just had lunch with Miss Howe's former college classmate, and it seems that she had a nickname at UConn.

Sam Malone:
Give, give.

Dr. Frasier Crane:
Well, he wasn't sure how she came by this appellation, but it seems that at some point during her little sojourn there, she became known as... Backseat Becky.

[general laughter among the crowd]

Woody Boyd:
Boy, what do you suppose that means?

Cliff Clavin:
Woody, what that means is...

Carla LeBec:
Cliff, Cliff, why don't you let someone who's been there tell it. Woods, she likes to do her cushion pushin' on four wheels.

Woody Boyd:
Miss Howe? Really? You know, back where I come from, we used to say something about girls like that.

Carla LeBec:
What?

Woody Boyd:
Let's date 'em.

[Rebecca enters the room]

Sam Malone:
[looking in Rebecca's direction] Oh, looky here. Something tells me I'm going to be completely obnoxious about this.

[everyone laughs as Rebecca approaches]

Rebecca Howe:
What's so funny?

Sam Malone:
Oh, we were just talking about nicknames, you know, different funny nicknames that people have. Did you ever have a nickname?

Rebecca Howe:
As a matter of fact, no.

Sam Malone:
Really? Nothing, huh? Not a Sparky, or Lefty, or Bubba?

Rebecca Howe:
Sorry.

Sam Malone:
Guys, we oughta give Rebecca here a nickname. Ah, you know, something that kind of fits her personality: kind of dignified, kind of businesslike, kind of reserved. Let me think a minute.

[pauses]

Sam Malone:
Anybody?

Dr. Frasier Crane, Carla LeBec, Cliff Clavin, Tim, Hugh, Norm Peterson:
[loudly] Backseat Becky.

[Rebecca slinks down behind the bar in embarrassment]

Sam Malone:
Gee, that works for me.

Woody Boyd:
I kind of like Bubba.

Sam Malone:
What seems to be the problem here, folks?

Frasier Crane:
Well, Sam, my colleague has dropped a crumb during dinner, and in the intervening hours it has been encrusted on his tie.

Cliff Clavin:
Oh what, you can take Norm's tie here, put it in a kettle and make soup. Incidently, it's a little known fact that the tie was invented in ancient times to be used as a bib, you know, to wipe your chin.

Ernie 'Coach' Pantusso:
You mean they're thinking of changing that?

Sam Malone:
Why don't you just tell the guy that he's got a spot?

Frasier Crane:
[mockingly] Gee, that's an idea. Why didn't we just come to Sam in the first place? Sam, you just don't say, "there's a spot on your tie" to a man the stature of Dr. Bennett Ludlow.

Ernie 'Coach' Pantusso:
THE Bennett Ludlow?

Diane Chambers:
You've heard of him, Coach?

Ernie 'Coach' Pantusso:
No.

Frasier Crane:
Coach, he's only one of the true giants of psychiatry: author, innovator, educator and I'm not ashamed to say my idol and inspiration.

Norm Peterson:
All right, you lean over, you pretend you're admiring his tie tack, and then just nibble the morsel off really quick. Who's the wiser?!

Diane Chambers:
Sam is right. We have to tell him.

Frasier Crane:
Of course you're right. Oh Sam, may we have three brandies please. And I guess I'm the one who should tell him. After all, I'm the one who suggested beef wellington.

Norm Peterson:
Beef wellington, you say?! [makes a motion toward Bennett Ludlow] Where's that tie?!

Frasier Crane:
Just have to find a way to tell him as subtle and tactful a way that will allow him to preserve his dignity.

[meanwhile Carla approaches Bennett Ludlow's table]

Carla Tortelli:
Hey, Pigpen. What's that thing? [points at the crumb on his tie] What are you trying, to catch pidgeons? Ew. [picks the crumb off his tie]

Dr. Bennett Ludlow:
Thank you very much.

Carla Tortelli:
Ah, don't mention it. I like a man who wears his dinner with pride.


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